Posts in history
Episode 51: The Softer Side of 70s Rock

When Paul Kantner was asked in 1975 about the musical changes in his band, which formed a decade earlier in San Francisco, he said the music they made in the 60s was a phase that they simply grew out of. Jefferson Airplane was as iconic as any 60s rock band and their San Francisco sound has literally been used as the soundtrack of films and documentaries of that era. But, like millions of other Baby Boomers, life looks different in your 30s than your 20s, especially if you managed to survive drag races and lots of drugs – and I am just talking about Grace Slick.

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Episode 50: The Travolta Trilogy

Like Odyssey offered escape for the characters – real and fictional – in the form of a place to dance to disco in SNF, Gilley’s offered escape for the characters – real and fictional – in the form of a place to do the two-step. And, as “Saturday Night Fever” ultimately leads to the oversaturation of disco and contributes to its downfall, something similar will happen to Gilley’s. “Urban Cowboy” brings countryish music and a glimpse inside Gilley’s to millions of people who were nowhere near Houston — making it so popular that the locals soon wanted no more to do with it when it became a haven for tourists…

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Episode 47: Dick Clark's Entertainment Empire

So, what was the New Year’s Eve show in your house? I had pretty young parents, so I am pretty confident that Guy Lombardo was not quite their cup of tea…It was always “Dick Clark’s New Year’s Rockin’ Eve” in my house and Clark produced the first one in 1972 with his co-hosts, Three Dog Night. That means Three Dog Night had the distinction of having the first song played on “American Top 40” and “New Year’s Rockin’ Eve.” Clark was definitely taking aim at the king of New Year’s Eve traditions, Guy Lombardo, who played big band music on his New Year’s Eve special. For many years, if you didn’t have plans on New Year’s Eve, Guy Lombardo from The Roosevelt Grille, and then for the last couple of years, the Waldorf-Astoria, was appointment TV. But Clark thought it was too dated. 

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Episode 35: Cosmic American Music: 70s Country Rock

If you got an invitation to the release party for “The Gilded Palace of Sin,” you also got a package of hay. It was a publicity stunt, designed to signal “country” but it was tested to see if it might be marijuana, at the suggestion of the US Postal Service. But nope. No pot, just hay -- but the publicity and the image that it created -- Bob Proehl, the author of a book on “The Gilded Palace,” wrote, “the media buzz the seizure created was better than anything the A&M marketing department could have dreamed up. Before anyone had heard a note of the album, the Burrito Brothers had the exact image A&M wanted: psychedelic cow-punks, drug-addled.”

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Episode 27: That's Entertainment! TV Variety Shows of the 70s

Is there anybody out there who could pull off a musical comedy variety show nowadays?

“Nobody. It’s not possible because the audiences got to the point where the desire is on reality and the desire is on shock. And the Donny & Marie Show was (built) on simplicity and innocence, and we just don’t have that anymore. Nobody could pull that off — not even Donny and Marie” — Donny Osmond

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Episode 20: I Hear a Symphony: 70s Progressive Rock

Challenging the idea of art, which is entirely subjective, in the 70s is a very 70s thing. This is the “Me Decade.” The decade of psychotherapy and liberation -- or at least attempts to move toward liberation -- raising consciousness. We did not have a collective vision of what progress meant. It was up to us to explore that, as individuals.

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Episode 16: Seventies Funk: Free Your Mind and Your Ass Will Follow

If Bruce Springsteen’s music can be called the sound of a ‘56 Chevy fueled by ground up Crystals records, then Parliament’s records must surely be the result of James Brown and Isaac Hayes records mixed in a high-speed Waring blender in the backseat of a leopardskin Cadillac pimpmobile.”

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